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类型：剧情片
主演：Eric Roberts 肖恩·杨 阿曼德·阿山特 费德里克·卡斯特鲁
语言：英语
年代：未知
简介：Patrick Messina是一名专利律师，在他的专业领域他有着极高的权利及威望。然而他却被诊断出患了不治之症，这无疑是晴天霹雳。在面对他的最后一名顾客时，他得知这名顾客是一个医生，来自西西里岛，在那里有一颗生长了上百年的橄榄树，这棵树的叶子可以治百病。为了寻找到这棵树，也为了验证传说的真实性，Patrick踏上了旅程。包治百病的百年老树究竟是科学的谜题还是圣经中古老的传说？面对人生的疑惑与信仰，也为了探寻从前，现在以及过去的关系，Patrick不断前行着……
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类型：喜剧片
主演：让·雷诺 克里斯蒂昂·克拉维埃 Muriel Robin
导演：让-玛丽·普瓦雷
语言：法语
年代：未知
简介：本片描述了由让．雷诺和克里斯蒂昂．克拉维埃饰演的戈德弗鲁瓦骑士和他的侍从拉弗里普伊两人因巫师的失误由公元1122年被抛送到现代。他们被电话、汽车、洗澡间等等现代化的设施弄得惊讶不已，从而演出一系列笑话。导演让－马力．普瓦雷善于突出并发挥演员的作用，注重对诙谐文字、滑稽剧和高卢幽默的兼收并蓄。本片“玩"的是长达千年的“时间差"，充分利用了张冠李戴和过时的习俗，围绕中世纪来客面对现代电子世界的丑恶遭遇产生的惊讶来做文章。它完美地运用了大量特技效果，故成一部滑稽惊险喜剧
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类型：剧情片
主演：Laurence Leboeuf Patrice Robitaille
语言：法语
年代：未知
简介：朱莉，明星的循环，是两场比赛赢得世界杯。这是多年努力的结果。朱莉喜欢成为焦点。他的随从也。她的教练和医生的鼓励，她涂料自14岁。当她的医生谴责，她设法隐瞒的情况，但幅度的测量混乱…滥用。谎言。叛国罪。陷入了一个齿轮，超越，她能找到出路吗？
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类型：剧情片
主演：尤·伯连纳 Robert 朱利安·马蒂奥斯 沃伦·奥茨 克劳德·艾金斯
导演：伯特·肯尼迪
语言：英语
年代：未知
简介：Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
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类型：科幻片
主演：Jason Tobias Paola Menacho Summer S
语言：英语
年代：未知
简介：A暂无内容scientist暂无内容builds暂无内容a暂无内容massive暂无内容ark暂无内容after暂无内容his暂无内容warnings暂无内容of暂无内容an暂无内容Earth-destroying暂无内容flood暂无内容are暂无内容ignored.暂无内容But暂无内容when暂无内容it's暂无内容evident暂无内容the暂无内容disaster暂无内容will暂无内容occur,暂无内容those暂无内容who暂无内容maligned暂无内容the暂无内容scientist暂无内容now暂无内容turn暂无内容to暂无内容him暂无内容in暂无内容desperation,暂无内容boarding暂无内容the暂无内容ark暂无内容and暂无内容seeking暂无内容his暂无内容answers暂无内容before暂无内容the暂无内容world暂无内容drowns暂无内容in暂无内容a暂无内容never暂无内容ending暂无内容sea.
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类型：剧情片
主演：Bob Dylan Joan Baez Judy Collins
语言：英语
年代：未知
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
